Shades of Light

[Zen]

@JAAJ

My original question is what to use those color concepts/experiences for?

I guess there’s only 1 way to figure out. Play each for a week without anything else and take note of the changes the occur and report back to us.

No one can deny you of what you experience.

[Cooldude]

Chromotherapy (Colour Light Therapy): What Is It And What Are Its Health...

Great album and nice thread of replies here already. Thanks for sharing some good info everyone. This link helps cover basic effects pretty well also

[The_Melon]

I would suggest you to research the chinese theory of The Five Elements and its applications in Traditional Chinese Medicine and Fen Shui.

[sensin-sensei]

For Schwaller (and Goethe), colour is essetially a ’neutralisation reaction’ between an ’acid’ (light) and a ’base’ (darkness), forming a ’salt’ (the colour phenomenon).

@sensin-sensei

GLASS STAINED IN ITS MASS

WITH THE VOLATILE SPIRIT OF METALS

North Rose Window of Cathédrale Notre-Dame de Paris. The stained glass of the oldest gothic cathedrals was believed by the alchemists of the Parisian alchemical revival to have been coloured using esoteric methods lost to the modern world. Between 1913 and 1932, Schwaller and Champagne worked exclusively on achieving these mysterious blues and reds. Their efforts pivoted firstly on the animation and isolation of the volatile spirit of metals, and secondly on marrying this sulphuric lustre to a body of molten glass. Panoramic photograph, Julie Anne Workman, 2010.

Basing himself on ideas that had been with him since Matisse, and inspired by a mysterious manuscript that Champagne allegedly found in a volume of Newton’s alchemical writings (and which Schwaller claimed was influenced by Goethe’s Farbenlehre ), de Lubicz developed an intriguing colour theory as a symbolic key to the work on stained glass. For Schwaller (and Goethe), colour is essentially a ‘neutralisation reaction’ between an ‘acid’ (light) and a ‘base’ (darkness) forming a ‘salt’ (the colour phenomenon). Into the Goethean paradigm, however, in which every colour evokes its complement to provide an essentially symmetrical system (red/green, orange/blue, yellow/violet), Schwaller brought the ‘vexing presence of indigo’ to reconstitute the Newtonian septenary—and thus the traditional Hermetic correspondences to the planetary metals. This sevenfold system enabled Schwaller to explore the relationship between the three alchemical principles (sulphur, mercury, salt) and the four elements (fire, air, water, earth) in a way that visually demonstrated the participation of the corporeal in the non-corporeal.

Inverting traditional colour-mixing theories, Schwaller not only identified the composed colours (orange, green, violet) as the three primaries (sulphur-mercury-salt), he defined the ‘pure’ colours (red, yellow, blue) as secondaries. He then added indigo as a fourth secondary and placed it in an anomalous position after violet to suggest that violet decomposes not into blue and red, as would be expected, but into blue and indigo.

The alchemical colour theory of René Schwaller de Lubicz. In the Hermetic tetraktys, unity divides itself into the primordial polarity of warmth (red-orange-yellow) and coldness (blue-violet-indigo), which merge to form the temperate colours (yellow-green-blue). The interaction of the two poles creates the primordial triads of the alchemical tria prima—sulphur, mercury, salt—(orange, green, violet). The interaction of the triads forms the four elements—fire, air, water, earth—(red, yellow, blue, indigo). Diagram by A. Cheak.

The alchemical triads: sulphur, mercury, salt. Each triad is headed by a principle (composed colour) that is the synthesis of two non-composed, elemental colours: sulphur (red-orange-yellow); mercury (yellow-green-blue); and salt (blue-violet-indigo). The first two triads are in a sense ‘perfect’: the principial colour is in fact the proper mean term between the elemental colours: red + yellow = orange; yellow + blue = green. But the third triad presents an anomaly: it ‘should’ be blue + red = violet. The red that ‘should’ be there—the impulse that is equivalent to the culminating note of the octave, is not there. Indigo is. Diagram by A. Cheak, 2014.

Indigo’s secret fire. The fire that must be joined to water in the alchemical opus is to be found not in ordinary fire (under sulphur), but in the fire of the earth, under the ægis of salt. This mysterious lustre, this ‘call of fire’, is the arcanum that links the end of the spectrum to its beginning. Diagram by A. Cheak.

Schwaller’s whole point with this anomaly centres on his insistence that indigo is not a simple melange of blue and violet, as would be expected from its ordinary position in the spectrum. ‘Indigo is indigo’; it has a ‘sombre luminosity unlike any blue’.[48] The red fire sought at the end of the colour octave is actually hidden inside indigo, inside the element ‘earth’. This ‘fire of the earth’ is no less than the ‘secret fire’ that the alchemists constantly sought, the fire that they strove to unite with water in the great coincidentia oppositorum. In the metallurgical work, this fire indicates the lustre of the metal, which they likened to a sulphuric seed. The fiery metallic seed had to be first dissolved and animated by placing it in a mineral womb. Thus awakened, the metallic ‘spirit’ was then isolated, and finally married to the purified mercurial ‘body’ of the metal, to create the alliance of fire and water. Just as sulphur coagulates mercury to form a crystalline salt (cinnabar), so too does the seed of metals coagulate the unformed mercurial matter into a specified metallic entity. Depending on whether the metallic spirit was ‘masculine’ or ‘feminine’, this would result in alchemically pure silver or gold. In the stained glass œuvre, however, the alchemist sought to capture the volatile spirit of the metal not in a purified metallic body, but in a body of moltenglass. To this it imparted the sombre blues and ruby reds of the famous Gothic cathedrals.

The operative details of the œuvre appear to hinge on a process closely related to ruby-gold glass, an extremely refined technique dating as far back as Roman times but known since the seventeenth century as ‘Purple of Cassius’. Ruby-gold glass is now understood as a form of colloidal gold—a solution of gold nanoparticles dispersed in a solid medium. As Hereward Tilton points out in his lucid study of the alchemy of ruby glass, colloidal gold was a tightly-guarded trade secret in alchemy, and its production was intimately linked to the alchemical method of dissolving gold using ‘royal water’ (aqua regia or Königswasser, a mixture of nitric and hydrochloric acids able to dissolve the royal metals).[49] The chloroauric acid solution that resulted from the dissolution of gold in aqua regia could be reduced with the aid of tin, creating a distinct purple colour in the process. Precipitation of the solution into a red crystalline gold salt was obtained through a reaction between gold chloride and tin chloride, creating a powerful powdered pigment or tincture (compare the Greek xērion, ‘powdered elixir’, whence Arabic al-iksir). Alchemically speaking, this process renders the metal ‘open’, and it was this awakened or enlivened gold in the form of precipitated gold salts—alchemically dissolved and vivified through aqua regia—that corresponded to the spirit or ‘fixed sulphur’ of the metal. When added to glass in its molten state, the red-purple gold powder permeated the mass with nanoparticles of gold, creating a colloidal solution; when the glass was cooled and reheated, the nanoparticulated gold was ‘activated’, thus transfiguring the glass into a brilliant ruby-red hue.

In connection to Purple of Cassius, there is a revealing scene in VandenBroeck’s memoir in which Schwaller, in an unusually exuberant gesture, takes his reluctant disciple to his laboratory at Plan-de-Grasse to show him ‘real gold’. This, Schwaller specifies, is not the ‘dead body in the coin’, but ‘live gold’, the metal ‘as it is in the mine’. Red in the mass and softer than graphite, it appeared ‘quite golden’ when spread thinly on the finger. The presence of a powdered, living red gold in Schwaller’s laboratory is thus a key indication that a tincture derived from (or at least similar to) Purple of Cassius is integral to the glass œuvre that he completed at Plan-de-Grasse with Jean-Julien Champagne.

PS; being touched upon in the above article but way deeper theorized in his works, the above mentioned indigo’s secret fire is thoroughly theorized as the colour of accordance to the all-encompassing multi-spectrum, the perfect fifth in harmony with the essence of the quint; the astrological Jupiter, or the pineal in spirited matter(s)…

shared for in-sight as food for thought

[Kalacakra]

@Zen

Play each for a week without anything else and take note of the changes the occur and report back to us.

No one can deny you of what you experience.

Pretty sure no one ever does that, it is always existing stacks + new fields.

[Cooldude]

Using
Ruby > The root cause - red light
In a trio combo tonight and it is extremely grounding and invigorating.
I feel incredibly calm and centred by the Red light field. Very noticeably improved digestion and energy flow. I felt lethargic and extremely full after eating a large carb heavy meal about an hour earlier. Within 2 loops of the Red I was relieved and felt a massive increase In energy flow, blood flow and digestion.

I would say don’t loop too long as you may experience high blood pressure beyond what you desire tbh as it is that potent.

*Less clear and more abstract but it also provides a clearer sense of self discipline and a gentle introspection.

[Zen]

Yeap I’m aware, but look at us after all these years we’re still not enabled for such things.

It’s like we need to get spoon feed and be given down to the bone information on what the field does without it we’ll never know.

This isn’t just with fields but our programming in life always depending on people telling us what to know, giving us bits and bits of information without us extracting that on our own.

---

This isn’t a disrespect to anyone rather a new angle we should consider, these GPT generated information carry very little as they are quite generic. Same with the chakras resembles, we draw the conclusion that because they have the colors of the chakras they are linked to them.

[Kalacakra]

Agree but people would already be using certain fields for some goals in their mind and skipping those for a day itself would be hard let alone for a week in order to test a new field. That is why I always take reviews with a pinch of salt.

[igem]

In general if something isn’t explained with prior knowledge or transferrable experience it’s exceptionally hard to understand.
Brightest and most trained scholars of their time spent a lot of resources on unfruitful research.
Schooling is imperfect but it tries to solve a very hard task, it’s essential to a progress often that answer is given upfront.
Linking of data is very important, arguably moreso than data or knowledge itself.
Foundational knowledge or understanding as well, like people wonder and build their own ideas what this album is for and as with other experiences in life or other some fields it’s reasonable to expect such questions. And “fundamentals” are usually the hardest for any person to learn on their own, they are studied whenever possible in any science or trade, not left to be rediscovered by practitioners if possible, as it’s far too time-consuming.

[Replay]

I think the description is quite good. The Plasma Beach thread is huge and many of us have used that field (or it’s successors, as the case may be) for years. The beach field was light—and these are shades of that light. In my case, I thought it was really interesting that particular shades had more powerful effect on a given issue.

Maybe just use these fields in a row as a plasma beach session. When a shade finds something to work on, then maybe spend more time with it.

[JAAJ]

Are you able to feel / know which effect comes from which field?

In general I don’t feel anything from the fields in these gentle albums, so I am always impressed how people can feel the nuances between these fields. For example, I don’t feel anything from the Chakra fields in the Mendelbrot album but I do feel my Chakras when I play the older Chakra audios or Taaffeeite Crystal.

[JAAJ]

@Zen

Play each for a week without anything else and take note of the changes the occur and report back to us.

Thanks. This would be a viable solution, however due to opportunity cost this will not be feasable for me personally. I cannot afford to lose my momentum from most of the other fields that I am listening to.

[Mila]

Found these:

Chromotherapy - Functional Medicine of Idaho, https://www.clearlightsaunas.eu/resources/what-is-chromotherapy

[Noel_Hawk]

I guess it’s for everyone. But if you want to access it without YouTube you have to pay 7$ at the patreon shop
The premium members just don’t need to pay those 7$ to be able to download it as in it’s free for them

[abro]

Gotcha

[Luminous]

Interesting, what fields JAAJ do you find the most powerful that you actually feel a tangible effect from sapiens and PU? Like the one that you actually feel the most. I heard a lot of people talk about soul continuum and so your post about it but I def don’t have the income for that, in fact, the income for most fields for now lol.

Would love for you to share your fav fields, and ones that you had the most tangible results, or that you could recommend.

Maybe sapien can create a more powerful field to expand energy sensitivity. In fact I heard PU making a field for energy sensitivity called Astro surgery for energy sensitivity, that one might really open up one to feel fields much more like this one.

Lastly what about A Taste of Vaikuntha Loka, it seems like a hidden gem for sure.

[ecaiii]

@Luminous

Maybe sapien can create a more powerful field to expand energy sensitivity

Energy Awakening Course

[SoulStar33]

Thank You Very Much, Captain, for These New Releases!!

Gonna check them out soon (my schedule is kinda full ).

[JAAJ]

@Luminous

Would love for you to share your fav fields, and ones that you had the most tangible results,

I do get results from around 90% of the fields. But there are only a few ones whom I can feel strongly every single time and these are (only listing SM fields here):

• The Star Being Experience
• Vibration of Transcendence
• Raise Your Vibrational State
• Angelic Vibrations 2.0.
• Taaffeite
• All 4 old Chakra audios
• Blueprint of Love NFT
• The old deleted Androstenol field from YouTube (if you can go back in time)
• DHT
• DHEA Boost
• The Tower of Power - Holy Light
• Excalibur
• Spear of Destiny
• A Taste of Vaikuntha Loka
• Alchemical Jing Charged Blood
• All 3 Soul Restoration audios
• Pure Magnetic Heart Coherence
• The Negentropic Pulsar
• The Manly Man
• Hardcore
• Conceptual Conglomerate
• Overcome Any Addiction
• Negentropic Jing
• Negentropic Shen
• Ojas Marrowed
• Jindan The Golden Elixir
• Major Blueprint of Power NFT
• Higher Self NFT
• Angelic Intercession
• Angelic Intercession & Guidance + NFT
• Automated Cardio
• Negentropic Maxilla Masterwork
• The Microcurrent Facial Simulant +
• Attract More Love Into Your Life
• Energy Body Aura Deep Clearing Cleaning
• Repel Negative Energy ver 2.0

Those are the fields, I feel every single time, even after many years.
I don’t know why and what the exact pattern behind this is…
But many fields seem have to do with instant switches on the physical side and with raise in vibration and energy on the energetic side.
By now, I can feel very whether something lifts me up or pulls me down.

[Replay]

An observation from multiple long sessions

The yellow track affects (mostly) my muscular skeletal system. Joints received a lot of energy on some plays—one time every knuckle was hit. On the current play, a muscle in might right thigh is being isolated by the field. (Other systems have been effected, but the MS effects stood out for me.)

I’m curious if others have a similar experience.